2/28/2024 0 Comments Fat dominos todayIt was only after 2005’s catastrophic Hurricane Katrina that he would leave the region for new digs in the New Orleans suburbs. 26, 1928, Domino was raised in New Orleans’ 9th Ward, the region that served as his home base for most of his life. Paul McCartney has said that the Beatles’ hit “Lady Madonna” was influenced by his New Orleans hero.ĭomino’s triplet piano style, in which three notes are sounded per beat, inspired a wealth of pop ballads, from Percy Faith’s 1960 ‘‘Theme From A Summer Place,” to Otis Redding’s 1962 ‘‘These Arms of Mine,” and Sly & the Family Stone’s 1969 “Hot Fun in the Summertime.” Original Domino compositions such as 1955’s “I Hear You Knocking ” and “Ain’t That A Shame” would become hits for Billy Haley & His Comets, Cheap Trick, Tom Petty, Dave Edmunds and others.īorn Feb. And although Presley sold more records, the so-called “King of Rock ’n’ Roll” always acknowledged his debt to Domino. Within a year of its release, the single had sold more than 5 million copies worldwide, establishing Domino as one of rock’s crossover artists.īy the end of rock’s 1950s golden age, Domino’s record sales had surpassed those of Chuck Berry, Little Richard and Buddy Holly combined. Domino’s version topped the R&B chart for nearly two months, peaking at No. Previously recorded by popular artists including Gene Autry, Kay Kyser and Louis Armstrong, Domino’s simple arrangement and woebegone vocal delivery transformed the shopworn tune into a strolling, rock ’n’ roll standard. His biggest success was “ Blueberry Hill,” a tune composed in 1940 by Vincent Rose, Al Lewis and Larry Stock. pop charts and 59 songs on the R&B charts. Together, Domino and Bartholomew would chart a string of hits, including “ I’m In Love Again,” “ I’m Walkin’ ” and “ I’m Gonna Be a Wheel Some Day.”įrom 1950 to 1963, Domino placed 63 hits on Billboar d’s U.S. After a string of R&B hits on Imperial Records, Domino finally broke through to Billboard’s pop charts in 1955 with “Ain’t That A Shame.” Co-written by Domino and his frequent composing partner, Dave Bartholomew, the single bore all the hallmarks of Domino’s subsequent hits - emotionally vulnerable songs performed to the spare yet powerful accompaniment of guitar, bass, drums and small horn section. Though Domino lacked Little Richard’s wantonness and Chuck Berry’s poetic aplomb, the piano-playing singer demonstrated world-beating clout. Just as Guillaume enjoyed the distinction of being the first African-American performer to win an Emmy Award for best actor in a comedy series, Domino had the distinction of being the first rock artist of any consequence: “Well, I wouldn’t want to say that I started it ,” Domino said, “but I don’t remember anyone else before me playing that kind of stuff.”ĭomino’s death serves as a eulogy for rock itself. 24 at 89, Domino most often let his work speak for itself. Much like the pioneering black actor Robert Guillaume, who also died Oct. While Domino inspired the Beatles and Neil Young, the singer himself rarely, if ever, raised his own voice. Combine that with the recent deaths of rock titans Chuck Berry, Tom Petty and founding members of the Allman Brothers Band, Steely Dan, Soundgarden and Linkin Park, and it can seem like Domino’s death serves as a eulogy for rock itself, a solemn epitaph for the music that defined a huge and authority-questioning generation of the past century. Domino’s single was recorded in 1949, six years before Chuck Berry, Little Richard and Elvis Presley codified a new musical sound called rock ’n’ roll.Ī recent Nielsen Music report revealed that hip-hop/R&B has surpassed rock in online streaming and sales to become the nation’s most popular musical style. Indeed, Domino’s first single was a hard-rocking track entitled “The Fat Man,” in which the singer crowed about his scale-crushing weight. and Rick Ross boasted of their luxuriant meatiness, Antoine “Fats” Domino had been there and done that. It would be the grossest of understatements to say Fats Domino was ahead of his time. It’s impossible to overlook the musical frame of Domino’s life. Just as Domino helped push swing music to the margins of cultural relevance in the 1950s, so does Domino’s death mark a complete torch-passing from the rock- and rhythm and blues-loving baby boomers to the rap-loving Gen Xers and millennials. Fats Domino, a member of the Rock & Roll Hall of Fame’s 1986 inaugural class, a recipient of the Grammy Lifetime Achievement Award and a recipient of the National Medal of Arts, died Oct.
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